| Hospice [Explicit] | ![Hospice [Explicit]](http://ecx.images-amazon.com/images/I/41Nn7W3frxL._SL160_.jpg) | Artist: The Antlers
Label: Frenchkiss Records
Category: Digital Music Album
Buy New: $8.99
as of 7/30/2010 03:59 CDT details
In Stock
Seller: Amazon Digital Services, Inc.
Rating:  31 reviews
Sales Rank: 1,560
Genre: rock-music
Media: MP3 Download
Running Time: 3108 Minutes
Release Date: June 23, 2009
Availability: Usually ships in 1-2 business days
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Showing reviews 1-5 of 31
 Hospice March 4, 2010
Smashexpert (Virginia, USA)
4 out of 8 found this review helpful
I bought this album because it was given high ratings and Amazon had a sale. I didn't enjoy much of it. The lead vocalist is rather annoying, and most of the album is a strange mix of feedback from guitars or synthetic noise dragged for minutes at a time. Maybe it grows on you, or you have to be into that kind of mindless noise, but I can't stand it for long before wanting to listen to something else.
 Intensive care VIP lounge February 28, 2010
Automated Message (SF)
7 out of 25 found this review helpful
Hmmmm ... Uhh? ... Oh, ah-hurm-hehm! ... I must have fallen asleep there. ((YAWN!)) We were in the middle of something and then I just up and nodded right off, didn't I? That was rather rude of me.
Excuse me for not remembering, dear Reader, but what were we talking about?
Right, I can hear something now. I was in the middle of discussing this thorazine-induced, comatose-disco pairing of Antony Hegarty and Sigur Ros. I didn't even realize anything was playing. I don't even remember hitting "play." It just kind of snuck up on me out of nowhere, like a mystery track dragged out of hiding. What is that cacophony? Is somebody trying to adjust their radio dial? It's not working, let me tell you. This is what it must sound like to a computer when it shuffles off its mortal coils.
If one were to tape the sound of a washing machine, play it back speeded up while recording it again, then dub staggered layers of varying speeds into one big mix -- then grab some punk college kid who doesn't quite yet fill out his britches, shake him and squeeze him as he tries to mimic a mockingbird, you might be able to put out something almost as good as this miscarriage of empiricism.
 wow, this is worth listening to February 13, 2010
Lukasz Gilewski
1 out of 1 found this review helpful
This album is incredible. If you're into bands that create an atmosphere and build up to a climax in a lot of their songs, then this is the album for you. It is one of the greatest concept albums I've ever listened to, the music fits so well with the setting. More importantly, it is one of the greatest albums of any kind that I have listened to. You can listen to these songs over and over and over again and they just don't grow old. I have to see these guys live, and I really hope future albums live up to the standards they set for themselves with this one.
"Sylvia, get your head out of the oven." February 1, 2010
Matt Jacobs (Trumansburg, NY)
2 out of 2 found this review helpful
I tend not to get too emotionally affected by music, mostly because I usually ignore lyrics unless they're especially clever, and well, a lot of musicians don't try that hard. But it's difficult to pay attention to Hospice at all and not get hit by it. It figures that only a couple weeks after I wrote a "best of 2009" list which featured nothing that made a huge impact on me, I'd hear an album as gripping as anything in recent memory. The music itself is only part of the equation, and you can't talk about Hospice without mentioning its origins. From what I can tell it's more or less the true story of the singer falling in love with a terminal bone cancer patient at the hospital where he worked. You can probably guess how well that works out.
Despite the simple honesty of the lyrics, they never really hit you over the head with the message, and it's easy to ignore the content if you just want to hear a nice mix of shoegazing post-rock and indie folkiness (why isn't this a more popular combination?), though if you do you're not giving it a fair chance to do everything it can. Some people probably wouldn't want to hear an album that would only depress the hell out of them, and that's fine. But it's one of the more powerful listening experiences I've had in a while.
Despite the sorrow of the words and the sincerity with which they're sung, it wouldn't work if the music was bad, and fortunately it's not. There's a fair amount of time spent without much happening beyond ambient noise, and it's difficult to love every moment when it feels like you're being pulled out of the flow a bit. There's a push and pull with the general sound as it goes between a strumming guitar and louder noise elements, and it could have gotten bogged down in its own seriousness. Luckily it's catchy enough in places to just be enjoyable to listen to, even while they're playing songs about abortion and knowing that someone you love is dying. I don't want to name individual tracks, because it really should be experienced as a full album, and it all runs together like one long piece of music. If you just want a taste though, it's okay to look up the music video for "Two". I'm definitely interested in seeing what this group does next now that this story has been told.
Such elegant beauty... January 28, 2010
Bezdomny (Moscow, Russia)
14 out of 14 found this review helpful
Thinking about this album, the term Lo-fi (regardless of the new subgenre it now refers to) would imply lower sound quality (as a result of cheaper equipment used during production) or at the very least a stripped down sound without a great deal of multitracking. However, the use of low end synths, circuit bending, etc. has redefined Lo-fi (somewhat ironically.) Ironic because an album such as Hospice, which is a veritable sonic masterpiece, is associated with a term that evokes the static crackle of an old Lead Belly record. I am assuming that the digital wash which underpins certain tracks or the sustained, modulating notes which weave their way around the refrains and punctuate the intermissions conjure this connection. Make no mistake however; the clarity of sound is amazing. This is certainly an aural pièce de résistance which justifies the existence of 500 dollar headphones (almost.)
Upon listening to this album, one might be reminded of certain moments from Kid A, Yoshimi Battles the Pink Robots, Brian Eno's Here Come the Warm Jets, along with elements of shoegaze and post-rock which are used sparingly and to great effect. However, this album is far from being a pastiche of the previously mentioned albums or musical approaches. In fact, holistically it doesn't necessarily sound like any one of them though if one were to deconstruct Hospice, certain elements of the previously mentioned albums would be present. And by using post rock/shoegaze as a tool instead of as a template, they brilliantly avoid some of the pitfalls for those respective genres. Thus, instead of being a 70 minute album with 5 songs, Hospice is ultimately a great pop album with excellent song craft which is woven within a shoegaze tapestry.
For example, while a song like "Thirteen" on a typical post-rock album would be used to segue between two 10 minute exercises in dynamics, inevitably leading to a crescendo and the subsequent wall of sound, on Hospice it serves as the bridge between "bear" and "two", tracks which are ultimately more indebted to Pet Sounds than any "experimental" forms of music. Luckily this approach brings a necessary levity to an album which delves painfully and effectively into the reality of death, and not death in any romanticized notion which lends itself to fashion, aesthetics and narcissism. This album tackles the pained notion of death as negation, the end of life, the end of hope, the end of connection. Within this context we are given the moral complexity of interacting with those who are dying (and not in the Sylvia Plath sense), the power dynamic it entails, the conflicting feelings, the real human experience stripped bare and revealed.
For a concept album, it masterfully avoids (both lyrically and sonically) the maudlin trappings that punctuate so many concept albums. There is not a single moment of self-indulgence on this album, a maturity that is shocking for such a relatively new band. It is truly a feat to make a concept album about someone dying in a hospice without falling into self-pity, exaggeration, egoism or theatrics. It is quite simply amazing. These are a group of musicians who see through the glass more clearly than most.
I would also like to steer people away from the pretensions expressed by other reviewers in relation to this album. I am not sure what an upbringing is in the "Indie Music Tradition", but I have never tried to craft an identity out of my record collection. Any problems of accessibility have less to do with "Indie Music" and more to do with openness. Someone who would immediately dismiss this album would probably dismiss John Coltrane's "A Love Supreme" for the same reasons. That is not to say that a John Coltrane fan would necessarily like Hospice or vice-versa, but a willingness to try something different is far more important than any inclinations towards a term which doesn't really encapsulate any specific genre of music to begin with. I also don't get any references to Bon Iver (with the exception of the occasional use of falsetto) or the Decembrists (outside of the fact that they've both done concept albums.)
All in all, this album is simply powerful, beautiful, poignant, emotionally gripping and a post-modern masterpiece. It is not an album to dance to, I'm not even sure if it's an album I would want to listen to with other people. There is an overwhelming sense of intimacy with very difficult themes that does not lend itself to casualness. I once remember Kind Rock criticizing Radiohead for making music that he couldn't even imagine throwing on at a party. While being an avid fan of Radiohead while concurrently thinking of Kid Rock as one of the worst things to happen to music in my lifetime, I do get his point. There is music for all seasons, and not everyone is willing to grapple with what comes after the autumn leaves have fallen. For those who are, this album is a perfect and beautiful artistic expression of the ever looming terminus at the end of this long and winding road. I cannot recommend it enough.
Showing reviews 1-5 of 31
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